Of The Nights Are Quiet in Tehran, our judges said, ‘The pages pulse with heartache and humour’, while they described We Are Green and Trembling as being ‘at once playful and devastating, tender and enraging’.
They said that the big question at the heart of The Remembered Soldier (a ‘superb novel’) is: ‘how far will humans go in order to love?’ and they described the language in The Deserters as ‘both raw and refined’, as it ‘weaves together two contrasting stories of hope and survival’.
They felt that the writing in Small Comfort ‘zings in all the right places’, while She Who Remains is ‘an unforgettable modern fairy tale’. The Director, they said, is ‘a juggling act of wit and gravity’, and On Earth As It Is Beneath is a ‘stark, unsettling exploration of power and corruption’.
‘Wonderfully evocative and packed full of plot twists’ is how they described The Duke, while they felt The Witch is ‘pure magic’. ‘The language in this novel is exquisite,’ they added.
Women Without Men beckons the reader ‘into a world touched with fable and myth’, the judges said, and The Wax Child – a ‘haunting, gripping and singular novel’ – ‘cast a spell’ on them. Finally, Taiwan Travelogue was described as ‘both a delicious romance and an incisive postcolonial novel’.
In short, the 2026 longlist takes readers beyond borders and into exciting new territory. As Nilanjana S. Roy, one of this year’s judges, says: ‘Good fiction can take you to interesting places; great fiction takes you to places that are beyond the reach of maps.’