About the book:

Set across four decades, from 1979 to 2009, this is a polyphonic novel of one family’s flight from and return to Iran.

1979. Behzad, a young communist revolutionary, fights with his friends for a new order after the Shah’s expulsion. He tells of sparking hope, of clandestine political actions, and of how he finds the love of his life in the courageous, intelligent Nahid. 

1989. Nahid lives her new life in West Germany with Behzad. With their young children, they spend hour after hour in front of the radio, hoping for news from others who went into hiding after the mullahs came to power. 

1999. Laleh returns to Iran with her mother, Nahid. Between beauty rituals and family secrets, she gets to know a Tehran that hardly matches her childhood memories. 

2009. Laleh’s brother Mo is more concerned with a friend’s heartbreak than with student demonstrations in Germany. But then the Green Revolution breaks out in Iran and turns the world upside down. 

The Nights Are Quiet in Tehran by Shida Bazyar, translated by Ruth Martin, is a moving novel about revolution, oppression, resistance, and the absolute desire for freedom

About the book:

High in Albania’s Accursed Mountains, in a village ruled by the ancient laws of the Kanun, Bekja escapes an arranged marriage by becoming a sworn virgin, renouncing her womanhood to live as a man. Her decision sets off a brutal chain of events, destroying her family and separating her from the one she loves the most.  

Years later, as Bekija – now Matija – tells their story to a visiting journalist, long-buried truths come to light, along with the realisation of all that might have been. 

She Who Remains by Rene Karabash, translated by Izidora Angel, is a dark and poetic novel about identity, gender, love, freedom, and societal norms.

About the book:

An artist’s life and a pact with the devil: this is a novel about the dangerous illusions of the silver screen.

When the Nazis seize power in the 1930s, G.W. Pabst, one of cinema’s greatest directors, is filming in France. To escape the horrors of the new Germany, he flees to Hollywood. But under the dazzling California sun, the world-famous director suddenly looks like a nobody. Not even Greta Garbo, whom he made famous, can help him.  

When Pabst receives word that his elderly mother is ailing, he finds himself back in his homeland of Austria, which is now called Ostmark. Pabst, his wife and his young son are confronted with the barbaric nature of the regime, but the minister of propaganda in Berlin wants the film genius. He won’t take no for an answer, and he makes big promises.  

While Pabst still believes that he will be able to resist these advances, that he will not submit to any dictatorship other than art, he has already taken the first steps into a hopeless entanglement. 
 
The Director by Daniel Kehlmann, translated by Ross Benjamin, explores the complicated relationships and distinctions between art and power, beauty and barbarism, cog and conspirator.

About the book:

An unsettling novel that sets us among an isolated group of men whose bonds break down in ways both hard to comprehend and impossible to look away from.

On land where enslaved people were once tortured and murdered, the state built a penal colony in the wilderness, where inmates could be rehabilitated, but never escape. Now, decades later, and having only succeeded in trapping men, not changing them for the better, its operations are winding down.  

But in the prison’s waning days, a new horror is unleashed: every full-moon night, the inmates are released, the warden is armed with rifles, and the hunt begins. Every man plans his escape, not knowing if his end will come at the hands of a familiar face, or from the unknown dangers beyond the prison walls.

On Earth As It is Beneath by Ana Paula Maia, translated by Padma Viswanathan, delivers a bracing vision of our potential for violence, and our collective failure to account for the consequences of our social and political action, or inaction. No crime is committed out of view for this novelist, and her raw, brutal power enlists us all as witnesses. 

About the book:

A mediocre witch, in a mediocre marriage, tries to pass on her gifts to her twin daughters, who, it becomes apparent, have skills far beyond her own.

Lucie comes from a long line of witches, powers passed down from mother to daughter. Her own mother was formidable in her powers, but ashamed of her magic. Perhaps as a result, Lucie’s own gift is weak: she can see into the future, sometimes, but more often she can only see the present of some other location. Not very useful. And the worst part? All she can ever see are insignificant details – a scrap of outfit, the colour of the sky.  

Lucie’s own children are initiated into their family’s peculiar womanhood when they reach 12 years of age, and in a few short months, Maud and Lise are crying the curious tears of blood that denote their magical powers. Having learned, they take off quickly and fly the nest. Literally. 

Witty, dreamlike, unsettling and enchanting, The Witch by Marie NDiaye, translated by Jordan Stump, brings the mysteries of womanhood and motherhood into sharp relief and leaves us teetering on the edge, unbalanced by questions as seemingly unbreakable relationships break down left and right. 

Who is to blame for family failures? And how can you build a nest that no one wants to fly? 

About the book:

A bittersweet story of love between two women, nested in an artful exploration of language, history and power.

May 1938. The young novelist Aoyama Chizuko has sailed from her home in Nagasaki, Japan, and arrived in Taiwan. She’s been invited there by the Japanese government ruling the island, though she has no interest in their official banquets or imperialist agenda. Instead, Chizuko longs to experience real island life and to taste as much of its authentic cuisine as her famously monstrous appetite can bear.

Soon a Taiwanese woman – who is younger even than she is, and who shares the characters of her name – is hired as her interpreter and makes her dreams come true. The charming, erudite, meticulous Chizuru arranges Chizuko’s travels all over the Land of the South and also proves to be an exceptional cook.

Over scenic train rides and braised pork rice, lively banter and winter melon tea, Chizuko grows infatuated with her companion and intent on drawing her closer. But something causes Chizuru to keep her distance. It’s only after a heartbreaking separation that Chizuko begins to grasp what the ‘something’ is.

Disguised as a translation of a rediscovered text by a Japanese writer, this novel was a sensation on its first publication in Mandarin Chinese in 2020 and won Taiwan’s highest literary honour, the Golden Tripod Award. Taiwan Travelogue by Yáng Shuāng-zǐ, translated by Lin King, unearths lost colonial histories and deftly reveals how power dynamics inflect our most intimate relationships.