Reading guide: The Nights Are Quiet in Tehran by Shida Bazyar, translated by Ruth Martin

1979: Behzad, a young communist revolutionary, fights with his friends for a new order after the Shah’s expulsion. He tells of sparking hope, of clandestine political actions, and of how he finds the love of his life in the courageous, intelligent Nahid.  

1989: Nahid lives her new life in West Germany with Behzad. With their young children, they spend hour after hour listening to the radio, hoping for news of others who went into hiding after the mullahs came to power.  

1999: Laleh returns to Iran with her mother, Nahid. Between beauty rituals and family secrets, she gets to know a Tehran that hardly matches her childhood memories.  

2009: Laleh’s younger brother Mo is more concerned with a friend’s love life than with student demonstrations in Germany. But then the Green Revolution breaks out in Iran and turns the world upside down. 

The Nights Are Quiet in Tehran was shortlisted for the International Booker Prize in 2026. 

Shida Bazyar studied writing in Hildesheim, northern Germany, and worked in youth education for many years. She is the author of the novels The Nights Are Quiet in Tehran and Sisters in Arms.  

Originally written in German, The Nights Are Quiet in Tehran has won the Blogger Literary Award, Ulla Hahn Prize, and Uwe Johnson Prize, and has been translated into Dutch, English, Farsi, French, and Turkish. 

‘What actually happens after a revolution? Through cycles of flight and return, exile and assimilation, Shida Bazyar takes readers through four decades in the lives of an Iranian family – two of them young revolutionaries, Behzad and Nahid, who flee to West Germany with their children. One generation yearns for their homeland; the other makes new beginnings; some visit home, some dream of return, some find going back too painful.  

‘The pages of The Nights Are Quiet in Tehran pulse with solidarities and betrayal, with heartache and humour. And for all exiles, migrants, once-and-future revolutionaries, Bazyar captures what it means to always live in hope.’

‘The book isn’t autobiographical, but I spent many hours interviewing my parents for research, to find out what their political life was like in Iran, what their resistance looked like, and how they ended up fleeing to Germany, where I was born… 

‘I wrote most of the novel while I was still a student. So I was living in grubby flat-shares and could sleep as long as I liked – but I had a rule that I’ve stuck to ever since: write three pages every day. They don’t have to be good or meaningful, as long as I stay in touch with my characters and themes. And of course in the end I hardly slept at all, because focusing on the political situation in Iran and the trauma of fleeing was really emotionally draining.’ 

Read the full interview

The book is set across four decades and split into four parts, with each one narrated by a different family member. In an interview with the Booker Prizes, translator Ruth Martin described The Nights Are Quiet in Tehran as ‘a polyphonic novel with four very different narrative voices’. What did you think of the novel’s structure? Was there a narrator whose voice you especially enjoyed?  

We first encounter Behzad and Nahid as young revolutionaries, but their lives alter dramatically when they’re forced to flee Iran. From then on, they battle daily with the loneliness of exile while trying to forge a new life for themselves and their children. How did your feelings about Behzad and Nahid shift as time passed and the novel progressed? 

Laleh and Mo are both born in Iran but move to Germany as young children. The International Booker Prize 2026 judges commented on the siblings’ ‘immense curiosity about a homeland that is not home’. How does the novel explore what it feels like to be rooted in two places at once? What does it reveal about the definition of ‘home’? 

In an interview with the Booker Prizes, author Shida Bazyar said that fiction is ‘the art form that helps us to see people. Not nations, not statesmen, not ideologies – people.’ Do you agree? In what ways does The Nights Are Quiet in Tehran centre people rather than politics? 

The book ends with a short epilogue, narrated by Tara at an unspecified time in the future, but one where she is much older. What did you think of this ending? In what year do you think it might take place? 

The International Booker judges also said, ‘The pages of The Nights Are Quiet in Tehran pulse with solidarities and betrayal, with heartache and humour… Bazyar captures what it means to always live in hope.’ What did you think of the balance between moments of light and shade in the book? Did you finish the novel feeling hopeful or something else?