Ledia Xhoga’s ruminative debut novel interrogates the darker legacies of family and country, and the boundary between compassion and self-preservation

In present-day New York City, an Albanian interpreter reluctantly agrees to work with Alfred, a Kosovar torture survivor, during his therapy sessions. Despite her husband’s cautions, she soon becomes entangled in her clients’ struggles: Alfred’s nightmares stir up her own buried memories, and an impulsive attempt to help a Kurdish poet leads to a risky encounter and a reckless plan. 

As ill-fated decisions stack up, jeopardising the nameless narrator’s marriage and mental health, she takes a spontaneous trip to reunite with her mother in Albania, where her life in the United States is put into stark relief. When she returns to face the consequences of her actions, she must question what is real and what is not.

Longlisted
The Booker Prize 2025
Published by
Daunt Books Originals
Publication date

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Ledia Xhoga in a blue top sitting in front of a bookshelf smiling

Ledia Xhoga

About the Author

Born and raised in Tirana, Albania, Ledia Xhoga is a fiction writer and playwright
More about Ledia Xhoga

Misinterpretation subtly blurs the distinction between help and harm. We found it propulsive, unsettling, and strangely human

— The Booker Prize 2025 judges

What the judges said

‘A Kosovan torture survivor requests translation assistance at his therapy sessions. Our narrator, a nameless translator, reluctantly agrees. But Alfred’s account of his experiences conjures hidden memories that seep into her psyche, forcing her to question her marriage and her place in the world. This is a story of a woman saddled between her Albanian past and her New York present. It explores the way that language is kept in our bodies, how it can reveal truths we aren’t ready to hear. Misinterpretation subtly blurs the distinction between help and harm. We found it propulsive, unsettling, and strangely human.’

What the critics said

Lucy Popescu, Observer 

‘Part of the pleasure of the novel, which is related in a direct, matter-of-fact tone, comes from second-guessing what the (occasionally unreliable) narrator has withheld or misinterpreted and how it affects others. Alfred misreads her compassion. She misconstrues others’ expectations, risking her marriage and mental health. The book is a nuanced exploration of communication failures, blurred boundaries and the emotional cost of unchecked altruism.’