This Other Eden

‘I absolutely love writing without having any idea of what comes next. I love having no plan beyond an initial image or tone or sense of atmosphere and just letting everything that comes over the wire into the manuscript, at least for the first couple years or so. I love observing the phenomenon of what physicists call ‘emergence’, where the form of the book, plot, characters takes shape through a process I guess I’d liken to musical improvisation. I love the sense of being the story’s amanuensis. 

Months will go by during which, to all appearances, I’m napping on the couch. Really, I’m writing – riding the updrafts as I like to think of it, letting what I’ve written and what I’ve read and looked at and listened to percolate and simmer together. Then, there will be a sudden burst of activity, like you say. 

I type, write in longhand, whatever means is convenient whenever a sentence or phrase or word occurs to me. This Other Eden was without exaggeration mostly written on Post-it notes. They’d sort of end up shingling the living room and study and office and I’d periodically scrape them up and tape or staple or transcribe them into notebooks and eventually type them into the big manuscript document. I’m like a magpie; I pick up whatever shiny or colourful bit of language that catches my attention and throw it into the kettle. I love seeing how elements that seem disparate implicate themselves with one another over the years.’

Read the full interview here

‘It’s rare to encounter a work of historical fiction that is at once so lyrical and so empathetic. 

‘While many readers will be struck by Harding’s inimitable voice, many more will also be drawn to his beautifully etched portraits of the inhabitants of Apple Island. 

‘Though set in the past, it’s impossible to ignore the novel’s contemporary resonance, especially in its exploration of how those in power, convinced of their righteousness, abuse others whose identities and way of life don’t conform to their own.’

Wendy Smith, The Washington Post

‘Based on the history of an actual Maine island, This Other Eden tells a tragic story. But Harding’s finely wrought prose shows us a community that refuses to see itself through the judgmental eyes of others, a society composed of people who give their neighbors the same latitude to go their own way that they claim for themselves. It closes on a note of determined hope, with an emblem of continuity and endurance held high above the waters that separate Apple Island from the censorious mainland.’

Susie Mesure, The Spectator

‘Yet Harding writes with the virtuosity of an orchestra conductor, mixing sentences of vastly varying lengths in the way a maestro brings in different sections of his ensemble. The effect can be dizzying: when Esther describes a hurricane that struck in 1815, the prose is furious with the storm’s kinetic energy. If at times he is guilty of overwriting, he is always a delight to read.’

Rachel Seiffert, The Guardian

‘Told in third person, but inhabiting multiple and often competing viewpoints, This Other Eden takes us inside Esther’s defiant penury, Zachary’s visions, Diamond’s “skewed, inexcusable heart”. Whether islander or mainlander, child or adult, each voice is wonderfully clear and distinct.’