With vivid originality, irrepressible wit and sly wisdom, Bernardine Evaristo presents a gloriously new kind of history for this old country.

Welcome to Britain and twelve very different people - mostly women, mostly Black - who call it home. Teeming with life and crackling with energy, Girl, Woman, Other follows them across the miles and down the years, through different generations and social classes, in this ever-dynamic, ever-expanding and utterly irresistible novel of our times.

Winner
The 2019 Booker Prize
Published by
Hamish Hamilton
Publication date

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Bernadine Evaristo

Bernardine Evaristo

About the Author

Bernardine Evaristo is an Anglo-Nigerian author of books of fiction and verse. Her novel Girl, Woman, Other won the 2019 Booker Prize.
More about Bernardine Evaristo

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The 2019 Booker Prize ceremony, where the prize was shared by Bernardine Evaristo and Margaret Atwood.

Bernardine Evaristo, in her own words...

In the year after winning the Booker Prize, Bernardine Evaristo went on to speak about her career, the life of a writer, politics and more in a series of high-profile outlets and engagements. Here are some of her most memorable quotes.

“When I came of age, there was almost not a single book that you could find in this country that was about black British female experiences. We really were invisible in the culture in that sense, so we had to turn to the African American women writers because they were the ones who were being published.” 

From The Little Book That Could: How Bernardine Evaristo Became an International Writer-to-Watch in 2019, Vanity Fair, December 13 2019

Bernardine Evaristo looking at camera.

Bernardine Evaristo, 2019.

© David Levenson/Getty Images

“I want people to be introduced to a range of black British womanhood and think: ‘This has opened me up to possibilities of who black women might be in society,’” she says. “It’s dangerous and reductive to think of my work as definitive.” 

From Bernardine Evaristo on sharing the Booker Prize, the ‘so-called Establishment’ and why Laurence Fox is in denial, inews, April 1 2020

Three women with their arms around each other, smiling.

‘I want people to be introduced to a range of black British womanhood.’

© Plume Creative / Getty

“My Booker win and the success of a handful of others shouldn’t be taken to mean that the battle is won. Far from it. Each year, novels published by black British writers barely enter double figures. It is a longstanding problem. We know that people who read fiction are more empathetic because they are well-practised in stepping into the shoes of fictional characters who are different from themselves. This is not to say that novelists write to educate people, but we do accept that this might be a byproduct of our creative endeavours. As novelists, we envision the intimate realities of our characters, try to capture the essence of who they are, test their inner strength through which they grow and transform during the course of the story. The best writers create characters from a place of compassion and insight, because we are all multi-faceted beings with strengths and weaknesses and everything in between.” 

From “Literature Can Foster And Express Our Shared Humanity”: Bernardine Evaristo On The Importance Of Inclusive Publishing, Vogue, June 6, 2020

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“We need to get our shit together, too: more of us need to be writing our stories into being at a publishable level, but these works don’t need to be “great” – because most novels are not “great”, however we define it, and a lot of writers don’t necessarily aspire to greatness. We need to be publishing novels in every genre – crime, thriller, historical, horror, romantic, experimental – for every type of reader, while acknowledging that the seemingly strict delineations of these genres are porous.” 

From The longform patriarchs, and their accomplices, the New Statesman/Goldsmiths lecture, October 2 2020

Woman looking at books on a shelf in a library.

‘We need to be publishing novels in every genre.’

© FG Trade / Getty
The cover of Bernardine Evaristo's edition of Sunday Times Style

Bernardine Evaristo for Sunday Times Style

‘Until very recently, even though I am a lifelong consumer of women’s magazines, Black women have been almost entirely absent from their pages,’ wrote Bernardine Evaristo to introduce her guest edit of Sunday Times Style. Among the pieces in the issue was a list of change-makers chosen by Evaristo who are shaping the culture of tomorrow and an intimate essay on how her early romantic experiences with women shaped who she is today. The issue included a cover photograph of Evaristo by Ruth Ossai.

Sunday Times Style

Listen to an extract from Girl, Woman, Other

Actor Anna-Maria Nabirye brings the 12 characters of Bernardine Evaristo’s Girl, Woman, Other to life in the audiobook.

Girl, Woman, Other audiobook cover on blue background

And the truth is I wanted that prize so much. I can't be cool about it. I wanted it so much, because I knew it was going to change everything.

Desert Island Discs

Listen to Bernardine Evaristo on Desert Island Discs

On Desert Island Discs in 2020, Bernardine Evaristo shared her love for libraries and the music of Fela Kuti, and spoke about how she “swore the house down” on winning the Booker Prize.

The winning moment

Bernardine Evaristo made history in 2019 when she became the first Black woman to win the Booker Prize.

‘I never thought it would happen to me,’ said Evaristo in her acceptance speech after Girl, Woman, Other was announced as the joint winner with Margaret Atwood’s The Testaments. 

‘I hope that honour doesn’t last too long, I hope that other people come forward now,’ she continued.

Bernardine Evaristo 2019

Bernardine Evaristo, joint winner of the Booker Prize 2019, with her specially bound copy of Girl, Woman, Other.

A must-read about modern Britain and womanhood. This is an impressive, fierce novel about the lives of black British families, their struggles, pains, laughter, longings and loves

— The 2019 Booker Prize judges

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