‘In my teenage years, when I first read Somerset Maugham’s The Letter, I was intrigued to discover that he had based it on Ethel Proudlock’s trial in Kuala Lumpur in 1911. She was the first white woman to be charged with murder in Malaya. She claimed that the man she had shot dead had tried to rape her in her home.
‘The House of Doors is about many things, but at the heart of it all, it is really about the acts of creation: how Maugham had come to hear about the trial, and how he had transmuted it into his story. It’s about the power of stories, how they can transcend cultures and borders, transcend even time itself.
‘I see The House of Doors and The Letter as mirrors of each other. How you read The House of Doors will affect your reading of The Letter, which in turn will then change how you view The House of Doors, which in turn will then alter your impressions of The Letter, which in turn will … and on and on it goes, a pair of mirrors, reflecting each other into infinity, the patterns of the reflections changing every time you look at them.
Read the full interview here.