Dwight Garner, The New York Times
‘The first 100 pages of The Sellout are the most caustic and the most badass first 100 pages of an American novel I’ve read in at least a decade […] like the most concussive monologues and interviews of Chris Rock, Richard Pryor and Dave Chappelle wrapped in a satirical yet surprisingly delicate literary and historical sensibility.’
Seth Colter Walls, The Guardian
‘Beatty’s wicked wit is the book’s chief source of momentum. And though he avoids the traps of plotless modernism, Beatty’s constant barrage of asides and routines eventually does take precedence over the supreme court plot, for example […] It’s [the] deliberate subversion of harmful cultural assumptions that makes this daring and abrasive novel a joy to read – the furthest thing imaginable from a selling out of anyone.’
Kevin Young, The New York Times Book Review
‘From its title on, The Sellout so clearly and gleefully means to offend that any offense taken suggests we aren’t as comfortable with race or ourselves as we wish to be […] Beatty’s novel breaks open the private jokes and secrets of blackness (one of which is that Being Black Is Fun) in a way that feels powerful and profane and that manages not to be escapist […] If not a classic, The Sellout is destined to be a really good cult jam. It’s a post-soul parody, trying to feel more like the skits between songs than the song itself.’
Michael Schaub, NPR
‘The Sellout isn’t just one of the most hilarious American novels in years, it also might be the first truly great satirical novel of the century […] while there is plenty of real sadness in The Sellout, it’s tempered by Beatty’s outrageously hilarious mockery of politics, entertainment, and pretty much everything else. It’s a risky book unconcerned about offending readers, which is a rare thing indeed in today’s easily outraged culture […] The Sellout is a comic masterpiece, but it’s much more than just that — it’s one of the smartest and most honest reflections on race and identity in America in a very long time.’
Luke Wiget, The Rumpus
‘The Sellout does with race what Flannery O’Connor did with religion in books like Wiseblood. It magnifies problems until they’re absurd and hilarious […] Buy the book. Buy it in extra large print. Laugh at it in front of people. Try to explain why.’