In Ascension

‘I wrote In Ascension during a period when travel wasn’t possible, which was bound to influence the novel both positively and inversely: from the claustrophobia and regulation of domestic space in the novel’s ships, to the dramatic and expansive voyages they sail on.

‘You could argue the whole novel is about symbiosis, the theory that life thrives amid other life (and which has been underplayed in many popular and more aggressive accounts of evolution). And yet Leigh spends most of her time alone. That’s one of the ironies of the novel, and one of its driving energies. She can’t be other than she is – she’s not going to suddenly go around hugging people – and so she seeks out integration and satisfaction and recognition in other ways. Ideally the sense of wonder she feels from the natural world should not be a dead end, but rather lead to empathy, care, alertness. Communication. Leigh grapples with this; other people have caused her pain, and the single-mindedness of her interest in the natural world has kept her alive – should she risk upturning this? 

‘I’m exploring interconnectedness because it’s vital and relatively absent from English language fiction, too much of which draws a world in which humanity is walled off from the rest of creation, as if we were entirely self-involved, made from some other, more rarefied kind of stuff. This echoes and reinforces climate change complacency, and is dangerous. Addressing this in fiction is not just, for me, a moral imperative, it’s an artistic opportunity and a source of humility and joy.’

Read the full interview here.

‘In this strange and wonderful world, every outward journey – whether to space or the depths of the ocean – is an inward one, as Leigh seeks to move beyond her troubled childhood. In Ascension is a Solaris for the climate-change age.’

Adam Roberts, The Guardian

‘Beautifully written, richly atmospheric, full of brilliantly evoked detail, never sacrificing the grounded verisimilitude of lived experience to its vast mysteries, but also capturing a numinous, vatic strangeness that hints at genuine profundities about life. Nobody else writes like MacInnes, and this magnificent book is his best yet.’ 

Stuart Kelly, The Scotsman

‘Its intellectual daring is formidable. This is fiction which is both stellar and grounded; an exemplar of what the novel alone can still do.’

Carl Wilkinson, Financial Times

‘To the handful of recent classics such as Richard Powers’ The Overstory and Kim Stanley Robinson’s The Ministry for the Future can be added Martin MacInnes’ In Ascension… The richness of the novel is endlessly rewarding. In Ascension is a far-reaching epic that blends a deep scientific knowledge with a wide-eyed wonder at our place in the universe.’

Beejay Silcox, The TLS

‘In Ascension finds as much poetry in the human microbiome as it does in the grand revolutions of the planets. It is a love letter to life… a primer to marvel.’

Kirkus Reviews

‘Readers of speculative fiction will appreciate this intellectually rich addition to the canon, which considers what new discoveries might tell humans about ourselves and the planet we inhabit… An interesting investigation of home and interpersonal responsibilities through deep-sea and far-space travel.’