An extract from Held by Anne Michaels
In a kaleidoscopic narrative that spans four generations, moments of connection and consequence ignite and re-ignite as the century unfolds
In a narrative that spans four generations, moments of connection and consequence ignite and re-ignite as the century unfolds
1917. On a battlefield near the River Escaut, John lies in the aftermath of a blast, unable to move or feel his legs. Struggling to focus his thoughts, he is lost to memory – a chance encounter in a pub by a railway, a hot bath with his lover on a winter night, his childhood on a faraway coast – as the snow falls.
1920. John has returned from war to North Yorkshire, near another river – alive, but not still whole. Reunited with Helena, an artist, he reopens his photography business and endeavours to keep on living. But the past erupts insistently into the present, as ghosts begin to surface in his pictures: ghosts whose messages he cannot understand.
Held was shortlisted for the Booker Prize 2024.
About the Author
Anne Michaels is a Canadian novelist and poet. Her books have been translated into more than 50 languages‘Every day writing this book I asked myself: in these urgent times, what voice might be small enough to be heard; what do we need now. We measure history by events and actions, but this book wants to assert a different measure for history, the real and powerful effect of our inner lives – what we believe, what we value, what we love, what we aspire to. Held explores our conflation of science with technology, the surrender of our ancient relationship with what can’t be seen, and asks why we have so insistently foreclosed on what we have always known – that there is crucial meaning and value in what, necessarily, cannot be proven. Again and again, in different ways, Held asks what forces bring us to a present moment. These forces, from particle physics to evolution, to revolution, to hauntings, to hope, to a gesture, to an error, to empathy, to desire… this is Held’s investigation; and the ways we choose and all the ways beyond our choosing, and all the ways love continues its work long past the span of a life.’
Read the full interview here.
‘The first few pages of this brief kaleidoscopic novel from the author of Fugitive Pieces may seem forbidding, yet every member of the judging panel was transported by this book. Michaels, a poet, is utterly uncompromising in her vision and execution. She is writing about war, trauma, science, faith and above all love and human connection; her canvas is a century of busy history, but she connects the fragments of her story through theme and image rather than character and chronology, intense moments surrounded by great gaps of space and time. Appropriately for a novel about consciousness, it seems to alter and expand your state of mind. Reading it is a unique experience.’
Christian House, Financial Times
‘Her alchemical abilities are undimmed. It is really a novel-in-stories, delivering a series of pivotal junctures in the lives of a string of characters — some obviously linked, others more tenuously. Spanning the 20th century and reaching into the near future, this series of decisive moments presents love, both romantic and familial, as a temporary balm to inevitable loss.’
Mia Levitin, The Sunday Times
‘The characters in Held remain hazy. Michaels draws accolades for her incantatory prose — an image-rich style that has led to comparisons to her fellow Toronto resident the poet-novelist Michael Ondaatje.’
Alice Jolly, The Observer
‘While the fluid structure of this work may be challenging for some readers, it’s clear that Michaels’s writing continues to stand head and shoulders above most other fiction. At the heart of this book lies the question of how goodness and love can be held across the generations. For Michaels, our final task is “to endure the truth”.’
Andrew Motion, Times Literary Supplement
‘…The book is divided into twelve fragmented sections that jump – not in chronological order – between 1902 and 2025. It is set mostly in England, but also in northern France, Brest-Litovsk, Paris and the Gulf of Finland, and it contains a large cast of characters who exhibit varyingly degrees of interconnection. On the face of it this amounts to an admirable extension of Michaels’s range; in fact the evidence of difference between the characters and historical moments is so slight that everyone and everywhere tends to seem the same. These people and places are essentially ciphers for the author’s obsessions.’
Sam Sacks, The Wall Street Journal
‘Michaels is a Canadian poet, essayist and fiction writer, and her radiant novel harnesses this doubleness, finding points of contact between the physical world of mortality and the abstract realm of remembrance.’
A kaleidoscopic novel about war, trauma, science, faith and, above all, love and human connection. Reading it seems to alter your state of mind
— The 2024 judges on Held