First personSamantha Harvey on Quartet in Autumn: ‘It’s a crackling, funny novel and joyful to adapt’
First personOpinionVincenzo Latronico: ‘Little Eyes reveals the ways our lives are both harmed and enriched by digital innovation’
First personA crash course in novel writing: how Kazuo Ishiguro wrote The Remains of the Day in a month
First person'Books took me to another world': how fiction offered Nazanin Zaghari-Ratcliffe a literary lifeline
First personLong readPaul Murray on Thomas Pynchon: ‘His vision of the future feels more prescient every day’
First personLong readSarah Bernstein on Marie NDiaye: ‘Her characters and settings remain opaque, they keep their secrets’
First personLong readPaul Harding on Shakespeare’s villains: ‘I want my characters to wrestle with their best and worst impulses’
Long readFirst person'Suddenly she was into her stride': Nicholas Pearson on publishing Hilary Mantel's Wolf Hall
First personMax Porter on publishing The Vegetarian: ‘Everyone agreed that this was an important book’