Six things you need to know about the Booker Prize 2024 shortlist
As the Booker Prize 2024 shortlist is announced, we’ve picked out the most interesting facts, trends and themes that have emerged in this year’s selection
The shortlist for the Booker Prize 2024 has been announced, featuring five women and authors from five countries
The 2024 shortlist for the Booker Prize – the world’s most influential prize for a single work of fiction – was announced on 16 September 2024. The shortlist includes the largest number of women in the Booker’s 55-year history, with five women and one man represented. Authors from five countries appear on the list, including the first Dutch writer to be shortlisted, the first Australian in 10 years, as well as British, Canadian and American authors. Two of the authors have been shortlisted previously.
The six books were selected by the 2024 judging panel from 156 works published between 1 October 2023 and 30 September 2024, and submitted to the prize by publishers. The panel is chaired by artist and author Edmund de Waal, who is joined by award-winning novelist Sara Collins; Fiction Editor of the Guardian, Justine Jordan; world-renowned writer and professor Yiyun Li; and musician, composer and producer Nitin Sawhney.
The list features stories which transport readers around the world and beyond Earth’s atmosphere: from the battlefields of the First World War to a spiritual retreat in rural Australia; from America’s Deep South in the 19th century to a remote Dutch house in the 1960s; from the International Space Station to a cave network beneath the French countryside. Among other things, the shortlisted books explore the gravitational pull of home and family; the contested nature of truth and history; and the extent to which we reveal our real selves to others.
The Booker Prize 2024 ceremony will take place on the evening of Tuesday, November 12 2024 at Old Billingsgate in London and will be broadcast in a special edition of BBC Radio 4’s Front Row. The ceremony will be livestreamed on the Booker Prizes’ YouTube and Instagram channels. The winner will receive £50,000, a trophy named Iris (after winner Iris Murdoch), and can expect their career to be transformed. Each of the shortlisted authors receives £2,500 and a bespoke bound edition of their book.
‘“I love the fact that a book can be like a living thing,” said one of the judges as we were choosing the shortlist for the Booker Prize. I am enormously proud of this shortlist of six books that have lived with us. We have spent months sifting, challenging, questioning – stopped in our tracks by the power of the contemporary fiction that we have been privileged to read. And here are the books that we need you to read. Great novels can change the reader. They face up to truths and face you in their turn.
‘If that sounds excessive it reflects the urgency that animates these novels. Here is storytelling in which people confront the world in all its instability and complexity. The fault lines of our times are here. Borders and time zones and generations are crossed and explored, conflicts of identity, race and sexuality are brought into renewed focus through memorable voices. The people who come alive here are damaged in ways that we come to know and respect, and we come to care passionately about their histories and relationships.
‘My copies of these novels are dog-eared, scribbled in. They have been carried everywhere – surely the necessary measure of a seriously good novel. Our final meeting to choose this shortlist together was punctuated by delight at them. They are books that made us want to keep on reading, to ring up friends and tell them about them, novels that inspired us to write, to score music, and even – in my case – to go back to my wheel and make pots.’
Here is storytelling in which people confront the world in all its instability and complexity. The fault lines of our times are here
‘I’ve said before what a wonderful group this year’s judges are, but it may be worth repeating: their collective inclinations as readers, their respect for each other, and their sense of solidarity with the writers have all made for a very rewarding year.
‘That’s reflected in the response to the longlist, which has been hugely popular with readers, booksellers and critics alike.
‘Inevitably, the judges found it very hard to relinquish seven of those books, but the rules are the rules… The six books on the shortlist bring a diversity of perspective, style and subject matter, from those that hold the reader close to those that take the reader for a spin. It’s a pleasure to bring new authors to the Booker Library and welcome back those who have been here before, and I can’t wait for even more readers to immerse themselves in the worlds created by all of this year’s cohort.’
The six books on the shortlist bring a diversity of perspective, style and subject matter
Edmund de Waal (Chair) is an internationally acclaimed artist and writer, best known for his large-scale installations of porcelain vessels and for his bestselling family memoir, The Hare with Amber Eyes, which won the 2010 Costa Book Award for Biography and the 2011 Ondaatje Prize. It has been translated into over 30 languages and in 2016 was awarded Book of the Decade by the Independent Booksellers Association. De Waal was awarded the Windham Campbell Prize for nonfiction in 2015, the year he published The White Road. In 2021, when he published Letters to Camondo, he was made a Fellow of the Royal Society of Literature and awarded a CBE for his services to art. His art publications include texts by a number of Booker Prize authors, including the late A.S. Byatt, Colm Toíbín, Peter Carey and Elif Shafak.
Born in Nottingham, de Waal apprenticed with the renowned potter Geoffrey Whiting from 1981 to 1983, and went on to study English Literature at the University of Cambridge in 1986.
De Waal’s interventions have been made for diverse spaces and museums worldwide, including The British Museum and the V&A Museum in London; Waddesdon Manor, Buckinghamshire; the Musée Nissim de Camondo, Paris; The Frick Collection, New York and Kunsthistorisches Museum, Vienna.
He has collaborated with a number of poets, performers, musicians and other visual artists, including the photographer Sally Mann and the choreographer Wayne McGregor. His library of exile, a pavilion originally exhibited within the Ateneo Veneto during the 2019 Venice Biennale, brought together two thousand books, most in translation, by exiled writers from Ovid’s time to the present day. The project travelled to Dresden, Germany and then to the British Museum. In 2021 the books were donated to the University of Mosul library in Iraq, which was destroyed in 2015.
Sara Collins is the author of The Confessions of Frannie Langton, which won the Costa First Novel Award in 2019, became a Times bestseller, was translated into more than 15 languages and was broadcast as a four-part television drama on ITV in December 2022.
Sara studied law at the London School of Economics before qualifying as a barrister in 1994. She worked as a lawyer for 17 years before obtaining a Master’s degree in creative writing with distinction from Cambridge University in 2016, where she was the recipient of the Michael Holroyd Prize.
Sara is also a literary critic, screenwriter and broadcaster. She has been a frequent contributor and guest host on BBC Radio 4 and is a co-host of the Graham Norton Book Club Podcast on Audible.
Justine Jordan has been Fiction Editor at the Guardian for two decades. She has commissioned reviews and interviewed writers including Raymond Briggs, Susanna Clarke, Jon McGregor, Sebastian Barry and China Mieville.
She was born in London and grew up in Bristol. She studied English at Cambridge and Anglo-Irish literature at Trinity College Dublin. She won the Vogue writing competition and then joined the Guardian website in its early days as night editor, going on to set up the books website.
Her criticism has featured in the Guardian, the Irish Times and the London Review of Books. She is a member of the Writers’ Prize academy, and her previous judging experience includes the Guardian First Book Prize, the 4thWrite Short Story Prize and the Costa Novel Award.
Yiyun Li is the author of 11 books, including Wednesday’s Child, The Book of Goose and Where Reasons End. Her novels and short stories have been translated into more than 20 languages. Li’s honours and awards include a MacArthur Foundation Fellowship, a Guggenheim Foundation Fellowship, a Windham Campbell Prize, the Sunday Times EFG Short Story Award, the Guardian First Book Award, the PEN/Faulkner Award, the PEN/Hemingway Award, and others.
Trained as a scientist, she is a member of both the American Academy of Arts and Sciences and the American Academy of Arts and Letters, and was named a 2023 International Writer by the Royal Society of Literature. Her work has appeared in The New Yorker, Granta, The Economist, The Financial Times, The Atlantic and Harper’s, among other publications. She is a professor at Princeton University, where she directs the creative writing programme at the Lewis Center for the Arts.
Nitin Sawhney is a world-class producer, songwriter, touring artist, club DJ, multi-instrumentalist and composer for theatre, dance, videogames and orchestras. He has recorded multiple albums and over 70 film and TV scores, which include adaptations of the 1981 Booker Prize winner Midnight’s Children by Salman Rushdie and The Namesake by Booker-shortlisted novelist Jhumpa Lahiri, as well as Mowgli: Legend of the Jungle, Human Planet, What’s Love Got To Do With It and a current project for Disney.
The recipient of the Ivor Novello 2017 Lifetime Achievement award, he has collaborated with other world-class artists of all kinds. He has had his own BBC Radio 2 series and appeared on Desert Island Discs. He holds eight honorary doctorates from UK universities and sits on the boards of multiple charities, including Complicité. For the last four years he has been the Chair of the PRS Foundation, the UK’s funding body for new music and talent development, as well as being a member of the Academy of Motion Pictures Arts & Sciences, the British Academy of Film & Television Arts and the Grammy Awards.
A regular cultural and political commentator, he has written articles for all the major UK broadsheets and is due to release an anthology of his written work next year. His latest album, ‘IDENTITY’, for Warner Music, was released in October 2023. He was made CBE in the 2019 New Year Honours.
The Booker Prize, first awarded in 1969, is the leading literary award in the English-speaking world, and has brought recognition, reward and readership to outstanding fiction for over five decades. The impact of the award is significant.
Last year’s winner, Prophet Song by Paul Lynch, saw a 1500% increase in sales in the week following its win. Before its longlisting, the book’s publisher, Oneworld, had sold 4,000 copies in hardback. Over 100,000 hardback copies have now been sold in the UK. It reached number three in the Sunday Times bestseller list in the UK for hardback fiction. In Ireland, it stayed at number one across all books for several weeks after the win.
Internationally, Oneworld printed 170,000 export trade paperbacks, with exceptionally strong sales in Ireland, Australia and India; Grove Press has sold more than 90,000 hardbacks and eBooks in North America. Translation rights deals increased from two before Prophet Song’s longlisting to 13 before its win. A total of 33 deals have now been secured, with a number of publishers buying Lynch’s complete backlist too.